Wednesday, November 30, 2011

Great horror Books

Great horror Books


Books in the bad dream genre are well known for being spine chilling and scary. Many readers don't know too many of the first-rate and recent dreadful books of the dreadful bad dream genre. Some of the readers may only be well-known with Stephen King, and while his books are good there are tons of other awesome authors. These are a few great bad dream books that readers may not yet be well-known with.

One of the greatest modern bad dream writers is Richard Matheson. He wrote classics like Hell House, I am Legend and What Dreams May Come. Hell House is one of the customary haunted house stories and it is a scary story that will make the hAirs on the back of any neck stand up straight. The book I Am Legend is not done justice in the movies and it is a truly belief provoking bad dream stories. It is amazingly well written and the story is very unique and clever. What Dreams May Come is a very beautiful bad dream story approximately in the poetic way of Edgar Allen Poe. The poetic way that this book flows is beautiful and the story invokes tears in some places.

The Exorcist is a name that brings an old bad dream movie from the seventies to mind. The first-rate movie is inspired by a truly horrific book that is supposedly inspired by a true event. The book is authored by William Peter Blatty and details the story of the clergyman who attempts for a long time to exorcise a demon from a young child. These Catholic priests spend a very long time working in many distinct ways to cure the child. The story is chilling and very well written.

Another first-rate bad dream author is H.P. Lovecraft. Stephen King originally wanted his works to be similar to this author. His works are often found in the form of anthologies of shorter stories as well as some longer novels. This author is considered by some to be the best bad dream author of all time. Those concerned in beginning reading bad dream can take a look at these to get a sense of the first-rate horror.

One more first-rate author is Edgar Allen Poe. Many population are well-known with him and he has many first-rate stories. The Tell Tale Heart and The Cask Of Amontillado are first-rate bad dream stories that don't take long to read but no ifs ands or buts get readers thinking. Poe also writes great bad dream poetry that those enjoy bad dream novels may enjoy as well. Reading Edgar Allen Poe is also a great way to get started on the bad dream genre by beginning at the beginning.

These are some great bad dream books as well as the great authors who wrote them. The bad dream genre is a beautiful genre as well as a suspenseful and chilling genre.




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Tuesday, November 22, 2011

Spoonful of Love For mother With Mother's Day Greeting Cards

Spoonful of Love For mother With Mother's Day Greeting Cards


On Mothers Day Special, it is a lovely expression to send a specially designed card to your mother. Giving a personal touch to the cards make them appear fascinating and memorable. They become an expression of your love and care for the mother.

There are any ways to originate beautiful and visually astonishing mothers day cards. You can organize different kinds of patterns, shapes and images. In this way, you can customize the greetings and add a human touch to the appearance. A man can experiMent with different types of colors, ribbons, patterns, pictures and even spray perfume on a printed card. If you have a creative and artistic bent of mind, you can use greeting card maker tools which are available over the Internet. A man can originate a card and draw ice creams, chocolates, cakes or flowers which are liked by the mother. The greeting card tools are the Computer programs which can help you in creating realistic pictures or graphics in the card. These tools help you in creating electronic cards which you can send them through mails. You can originate and incorporate pop-ups, animation, music or sound effects. With these tools, a man does need not to go to the store and make your mind up the best card out of the available stock with the shopkeeper. A man can customize the card the way one desires. You can originate those visuals and designs or images which are most liked by your mother.

It is great fun to originate cards in printed form. Cut out paper from a thick colored chart paper. You can make two folds of this chart paper. One can even give shape to the cards and make an fascinating border. You can draw a cake with a candle on top by using crayons or paints. Decorate the cake by using sequins, glitters and other attractive items. One can originate a flower out of a ribbon and glue it on the front side of the card. Herbal decorations on the card are amazing in appearance. You can write a short and sweet poem or beloved verses of your mother. All these ideas make a card memorable and fascinating for your loved one.




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Monday, November 14, 2011

portion Physics = Your Field Of Dreams

portion Physics = Your Field Of Dreams


We live in very exiting times. We have just entered the Age of Aquarius. Our whole Solar principles is rotating in an enTirely new place in space nearby our Galactic Sun.

Just as our Earth rotates nearby our Sun, our Solar principles rotates nearby our Galactic Sun and our whole Galaxy is orbiting nearby the Universe. Nothing and no one is ever in the same space as they were a second ago.

All these moveMents are part of the divine plan of the inventor God. And these moveMents have a purpose. They convert the energy.

The vigor inundating our planet, because of the orbit of our Solar System, is distinct than it has been for the past 2000 years, which we called the Age of Pisces.

This new vigor that everyone on the planet will palpate and be affected by has a new paradigm or set of rules for it's use.

This new paradigm is called the Laws of part Physics. These Laws now allow us to create our corporeal realities consciously. The corporeal realities we have created for the past 2000 yeas belong to those 'experts" we believed they knew more than we do.

The new Laws of part Physics allows us to bypass these outdated realities belonging to the Age of Pisces and create new ones for ourselves. This is our true purpose.

How does it do this? The Laws of part Physics tell us that there exists an infinite ocean of thinking, piquant vigor called the part Ocean. This is the Mind of God.

Everything that ever was, is or will be exists in this part Ocean. There is no time nor space there. We live, move and have our being within this infinite timeless, space-less point called the part Ocean, Mind of God.

Now for the good news. We can attract any of the energies out of the part Ocean into our corporeal reality. We can of course think ourselves into a happier, healthier, richer reality. We can drop all the old inhibiting beliefs that have created our gift reality.

And there is a specific methodology on how to do this.

Remember the movie, "Field of Dreams," with Kevin Costner? He built a baseball field first and Then the players showed up. He used a pick a shovel.

You can build your "Field of Dreams." Only instead of a pick and shovel; you can use your mind and your thoughts. It will take time. But just as the reality your living now has taken time to create, your new "Field of Dreams" will take time.

So start now! And continue every morning until it manifests. As sure as day follows night it will manifest. It is the Law of the new Age of Aquarius.

First step is that you must know what you want to build. Do you want to be a writer, a painter, a musician (or anything else.)

Once you have made this decision, start.

Every morning before you leave home leaking your vigor out into the world, pay yourself first. Take your new morning energy, sit in your popular chAir and start to think your "Field of Dreams into your life.

Let us say you want to be a writer (you can even think a new house into your life). Well since all exists in the part Ocean, go there Mentally and talk to the Great writers you admire and want to emulate.

Mentally request them back to your living room. Straight through your mind's eye see them sitting on the couch and in the other chAirs.

Invite Jack London, Rudyard Kipling, Edgar Rice Burroughs, J.P. Lovecraft, Marion Zimmer Bradley, (All the great fiction writers I like).

See them sitting in your living room. Serve them mental tea or coffee. Start a conversation. Ask them how they got started, where they got their story ideas from.
Ask them if there are any stories that they meant to write; but didn't have time to do so. Ask them if you can write these stories for them.

Keep both a mental notebook and a corporeal notebook on hand. Take lots of notes.

Let them talk. They will of course enjoy the occasion to once again visit the corporeal world even if it's only Straight through your mind.

Keep these daily meetings going. Soon the ideas, skills and resources of the great writers , painters, or musicians, who you have invited into your mind will come to be part of your reality. You will soon find yourself writing, writing writing.

Remember before you can create your own great writing style you must learn from the writing style of others.

Start now. It works. Think your "Field of Dreams" into your life today.




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Sunday, November 6, 2011

"Death-Love, In Oakland Cemetery" ((A Story Of Horror)(Second Revision)(Part One Of Two))

"Death-Love, In Oakland Cemetery" ((A Story Of Horror)(Second Revision)(Part One Of Two))


(Horror Poetry: a strange poetic prose story of death meets love in Oakland CeMetery-face to face-in St. Paul, Minnesota, November, 1971)

We were alone, her and I (she was twenty, I twenty-four), beyond a mound or two, two-hundred yards east of us, were gravediggers; approximately every person had gone, left the ceMetery, and the gates were locked (they lock the gates at 5:30 Pm sharp to the front entrance of Oakland Cemetery, the side gate would be used by the diggers, to go home; the arc lights had just come on. She, Isabella de La Ree, had a bag; it had weight to it, Isabella looked at me, as a wolf would to its prey, if ever a face showed imminent death, hers did (almost a sorry face, with grim, slim wrinkles of love)! Then I noticed her crucifix was upside down, rays with images of anguish, of orange, purple and red, fell on them, from the lower world I'd guess. I looked towards the gravediggers they were gone (there was such a stillness, quietness in the cemetery now), I could hear the last sounds of their footsteps-as if descending down a spiral stAirway, leaving us alone, for it was a full moon, and they knew something was stirring in this prodigious night.

I pulled out a flashlight from my jacket pocket, it was fall, and a chill was in the evening Air (tons and tons of leaves everywhere, piles of them, racked by the caretaker, I could even smell some burnt leaves, the smell is indistinguishable, and very convenient to me); it would be dark soon, near winter, the sun has a Menial task, it rises quick, and descends Fast, and twilight, without a word glares like a lamp of mist, half full, flickering rays of rose-colored clouds, sandy moon above it, it is like a stammering drunk, and the lamp lit moon, this evening, seemed to full, and wanted to fall, it was right over us, over our heads, with sharp-looking teeth-carved by the shades and shadows that crept through its light.

Then a cat began to cry as if it was fighting with a rat, which squealed a long agonized weeping squeal, both as if in pain, as if in a love and death exchange, other and other cry came, seeping into the wind, approximately in echoes surrounding the cemetery, they were somewhere beyond the grasp of me, in this gloom of the night. And they became louder and sharper cries, that of a ripping-death, as if flesh and more flesh were being ripped to shreds. Then the sounds died down, and I seemed to sink into a morbid chill.

(From the street, beyond the side gate of the cemetery, I could now hear the sounds of the Tires of cars going down Jackson Street, a grim silence prevailed in-between, I looked helplessly about with eyes of terror, every side of me seemed to have caliches of death. I looked and could even see the drivers in their front seats driving, and disappearing, and then I shook my head and suddenly became more aware to the task at hand.

The contents of her bag, seemed to wiggle as if something was alive in it, a rounded shape something, then came sounds of rattling teeth, clanking teeth.

"Let's do what we came for," she said (a flame burned in her eyes) knees bending, a groan from within her chest, her inner spirit, noisily developMent her head twitch, like a puppet, came out of her mouth, words jagged I didn't understand.

"She must be in a trance," I said out loud, as if talking to myself or person who wasn't there, for assuredly she heard (as imMense bolt of chills, ran up and down my arms, legs, and spine.)

For a occasion I concept she was carrying a bomb, I stood in silence where not knowing what to do, or say, then suddenly, I heard a whisper come from the bag, as she started digging next to a gravestone, on her knees and elbows, with a pocket shovel, one normally used for a garden.

"Is this assuredly necessary?" I asked her.

"Just wait a while and you shall see, and judge for you..." she groaned, and mumbled, as her face grew harder, as she stared longer at the engaging bag.

I took a step forward, towards her; I was a few steps back. The instant I did, she motioned in gesture, not to step to close to the bag, she moved it impulsively towards her knee, holding out her hand to stop me, should I investMent beyond a threshold she had created in her head, I'm sure I would have been dead, her face now as cold as ice, likened to the palm of death, saying:

"Don't come closer for inside this bag is love and death!"

We had met the night before, at a nightclub in downtown, St. Paul, Minnesota, from there we strolled drunk, uPh Meter or two as it paced back and forth, and then become visible. It was a foul smelling foe, a mammal that came from who knows where, more on the Giant Finn of Ireland, order, or maybe the Grendel order, of the Scandinavian lands of the 5th Century or so. A pondering evil I lived with for three months in the dojo, an ere fiend, with flame advent from its eyes. And I could tell it had a sudden grip, for when it tossed the chairs about and colse to the dojo, it smashed them hard. It was huge, maybe 400-pounds, and eight feet tall, a monster who could have devoured me, now that I look back, and there I slept where no other black belts would dare sleep, for they told me the place was haunted. I did not seek to trap him, I explained to him, we needed to put up with each other for a time being, and that was that, adding, I leave him alone if he left me alone.)

And the noisiness in the karate dojo, where I lived in San Francisco, went silent, in the clap of an eye, in the middle of the night, and the beast that appeared, that shook the building and chairs, and window sills, had gone, disappeared.

And now here we were, I stimulating and bracing for some kind of a thrill,
silently and quietly next to twilight waiting for a bag to be opened, as she dug deep into the earth, I guessed to seal the fate of what was in that bag.

I told myself, now leaning against a gravestone, development a graceful sigh, 'I shall pray to make it out of here alive,' knowing somehow I'd regret, having come with her this evening if I did not, absolutely, for my part I knew not why I remained, for all it seemed to me to be, was person observing the insane. I knew in a heartbeat, there would be no more tomorrow's with her and I, and maybe for the better.

At this point I had wished I had done supper, which I had not-for I was getting hungry even with such bleak happenings colse to me, and had rushed to meet her for this journey, this discreet and morbid journey, which humanity would have forbid, had they known it was as it would be.

For the first time, I had now noticed her nails were long, and those of her thumb, on the right hand, was pointed, thick as a knife: this somehow brought a horrid feeling of nausea, it came over me like hard bark on a tree. There silent for a occasion I stood staring again, at the bag, looking in the black Cloth that now covered its contents, with the moon's light shinning on it, I could see some kind of expression, indented expression, as if a face to be, then I knelt to her level and said,

"I am getting quite Tired. I must leave, I live but a few blocks from here, maybe tomorrow we can meet, I shall let you cease alone whatever it is you must do." (I lied of course; I never wanted to see her again, to be quite frank.)

And with a courteous bow, more of a nod of my head I stood back up to leave (being in a deep sea of wonder, yet in a high fear of the unknown, and not wanting to face or undergo the strange things that were about to creep send out of this night), I did pray, "God keep me safe," if not only for my loved ones dear to me!

I did not leave though, my mind had went absent for a while, and I forgot what I had said, and my intentions to leave, somehow evaporated in my head. maybe a spell she place upon me, this beautiful and costliest witch.

My body shuddered from her witch and devilish scorn she seemed to born upon her face and limbs, for the dead in this cemetery- if whatever I felt I should salute her for her bravery, and hearty way she was handling this mysterious night-so tranquilly.

"What are you doing," I asked inquisitively, and she whispered in a most horrid voice (with a vibrating haunting echo) as if it was not her voice:

"Digging a tomb!" the voice replied.

"For what or whom?" I asked, holding my breath.

And she pointed to the sack... And she then opened it, inside was a living head, and she said to me, in a most bewildering intonation,

"I can't kill it!" And she rolled it out, and into the dirt tomb, the newly dug grave, and then stood up; strolled about it, as if mad (it was that lady I had seen from the house yesterday, I told my mind's eye).

I knew I had said all I could say about leaving, so I just looked. Isabella now looked up at me, said,

"You may go anywhere you wish now," but my mind was locked into this moment, adding, "All things are as they are, even if you wish to understand them, and you cannot. And there is presuppose for all things to be as they are."

"I am sure of this," I replied, "our ways are distinct to say the least."

"Not too different, from what you have told me," she responded, as she paced and kept out of the way of the head, observing it.

Then Sara cried, it was evident the head wanted to speak, but only said "Nay," as if it did not want to be buried alive, for Isabella kicked sand it her mouth, saying,

"Foul head, of the demons, loathing nightmare, voluptuous bloodstained mouth, lay where yea be, and be silent, for none will pardon thee, fall into the hole, my friend, my death-love."

And the head looked up at me, as if it wanted to plead. Then cried Isabella to me,

"Come now, my friend, let her rest in peace, I can do no more, this is all
death-love can offer a demonic whore, any way visible she may be, she is captured inside of a dead beauty, preserved by habitable bleeding, and receiving; I can't kill it, she belongs to the un-dead, and she will not leave the body, so I severed the head, she has immortality, but I can keep her head from her body, so she can no longer multiply-so now she must remain in the grave or go back to her evil world."




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